wet t-shirt competition in the gallery
silly sexy passes in contemporary art contexts
Stan using iPad to look up how to do dredging in a black
iPad 2 3 4 Military Tough Hard Rugged Heavy Duty Shock
Protective Survival Case that feels thick and heavy to touch,
and he’s wearing fatigues
vacuum-sealed tablet
otterbox gladiator edition
tattoos: ‘life’s good’ LG tramp stamp
‘maybe she’s born with it’ text scroll
shepherd tone
flute tone
backwards longjump glitch
rumblepack support
shadow (Mario)
konpeito star bits
sunshine beach galaxy
starshine beach galaxy
hell valley sky tree
pre-rendered mountains
I GOT U SEA-MONKEYS
posters ripped from windows leaving holographic butterflies
of Blu-Tack and Duct tape
i saw Celine Dion dancing and swirling CGI in a little girly
white thing in my dream
both CDs played at the same time (high quality audio)
CD rip, burn, scratch
flying is special
her bedroom light gently cycles bright to dim
when you turn it on it cycles through the colours of sunrise
to get you to day
when you switch it off it goes through one decidedly UV
phase, all freckles and teeth, neon o’clock
shot-silk with a blue warp and pink weft. salt crystal.
shot-silk ‘[warp colour] shot with [weft colour]’
i will buy Silk Worms
one day
Eyes hurt. Sleep now. Restart computer and f.lux is activated
again, screen kind of grey. The sun is about to come up.
blue to sleep
purple for a quick sunrise
clear light blue breakfast
run from this place
bullets are extinct
cigarettes are extinct
smokers die young
I hate you because of what I’ve done to you
youngest sister
Mecca 2014 miles west
I got u Sea-Monkeys
Holly Childs is a writer, editor, artist, curator. She makes work around digital semiotics, transformations of language, fashion, aberration, corruption. Her first novella No Limit was released by Hologram (Melbourne) in April 2014. Her second novella Danklands will be published by Arcadia Missa (London) in December 2014.